★ ♬๑۩۞۩๑ALEXANDER๑۩۞۩๑♬★

人生永远是一部说不完的故事,时光飞逝又一年过去了.今年终于毕业了!~从来没有想到找工作会想现在一样难找最近去了很多的公司但是最后还是没有合适的,四年的大学工作了快两年了,到最后毕业了却为找工作开始发愁,这世道真是应了一句话啊人要是点背喝水都呛着!~以前的所有自信最近都差不多磨的没有多少了!~到底是我专业水准不到位还是他们有眼不识泰山此刻已无心情再去思考了!~我的哥哥姐姐们为什么这世道是这样的背啊!~有工作时觉得好的工作太多干这个真是太委屈自己了这下好了毕业了找不到好工作了甚至还不入自己当初的兼职,北京真的就那么难混啊!~以前从来没有考虑过这个问题这回可是真的被避到这个话题了,如果你们现在的工资是5000左右还觉得满足那我真的是很欣慰你们因为你们知道知足长乐!~我是可悲的有工作是别人很羡慕没有时还是觉得平淡点的好啊!~大起大落中要受伤此刻我以是心里在流泪脸在笑为什么金融危机发生在2009为什么受到伤害的会是我!~为什么我的老婆也跑了!~哎!~真是一波未平一波又起啊,上帝啊如果你今天看到了我的这片祷告那么请你开开眼吧你的忠实子民正在饱受着生命中最残酷的煎熬!!~我一直信奉您的那句话只要有才华那里都可以成为你的王国!~而我现在又开始相信这句话了千里马长有而伯乐不常有啊!生着最大的悲哀莫过于把钱没多赚点!死着莫大的悲哀是死时把钱没花完!~希望我最真诚的祷告可以感动你的抉择!~让幸运之神也光顾一下我这正在迷茫中徘徊的人吧!~我真的很爱你!~真的真的很想得到你最真切的祝福与关怀!~原你我同在!~

                                      2008是我的本命年，这一年发生了很多的事情，每个人都有自己的梦想，真正的可以实现它的确很少！~

                             我的大学生涯今年就要彻底的结束了，以后的人生就要全靠自己的决断与策划，我相信凭借自己的能力在未来一定会成功的

                   上帝给予我生命的本体，我很感谢现在所拥有的一切。人的生命尽管很短暂，在一生中要经历“悲欢离合，喜怒哀伤”这是人类始终无法避免的

             现在自己要彻底的面对以后完全由自己掌控的人生，一时间真的感觉压力很大！~这些年自己也是在有空余的时间就去工作，对于社会的认识看的比一般

       人要深刻的许多！~也许多年的音乐学习更重要的是让我学到了人到底需要什么~！~~精神的追求与满足，金钱的追求与满足！~得到了！~~真的感觉又失去了

  许多自己真正想得到的东西，现在的我只想让自己快点有个家！~让我所爱的人成为世上最幸福的女人，我只希望得到一个幸福美满的家庭，也许多年的飘荡让我真的

厌恶了堕落的生活，我希望在2009年和自己所爱的人可以幸福美满的在一起生活。只此要求别无所求，如果上帝看到了。请保佑我吧！~我会万分珍惜起你给予我的一切

                                                                最近經曆了很多的事情 

                                          這段時間的靜修感覺真的很舒心 

                                                   生活的磨練讓我更加珍惜生命中的每一個细節     

                                          也許繁忙的工作會把你對生活的渴望徹底的征服     

                                     但是仔細想想每天很充實的活著那也是一件樂事 

                                    有的人在家裏做宅男，宅女而自己確在每天辛勤的勞作者這樣活著會更有意義

•                                            我的夢想什麽時候才可以實現啊

With five number one singles and four number one albums, the Eagles were among the most successful recording artists of the 1970s; at the end of the 20th century, two of those albums, Eagles: Their Greatest Hits 1971-1975 and Hotel California, ranked among the ten best-selling albums ever, according to the certifications of the Record Industry Association of America. Though most of its members came from outside California, the group was closely identified with a country- and folk-tinged sound that initially found favor in and around Los Angeles in the late '60s, as played by such bands as the Flying Burrito Brothers and Poco, both of which contributed members to the Eagles. But the band also drew upon traditional rock & roll styles and, in their later work, helped define the broadly popular rock sound eventually referred to as classic rock. That helped the Eagles to achieve a perennial appeal among generations of music fans who continued to buy their records many years after they had split up, which inspired the reunion they mounted in the mid-'90s.

The band was formed by four Los Angeles-based musicians who had come to the West Coast from other parts of the U.S. Singer/bassist Randy Meisner (born in Scottsbluff, NE, on March 8, 1946) moved to L.A. in 1964 as part of a band originally called the Soul Survivors (not to be confused with the East Coast-based Soul Survivors, who scored a Top Five hit with "Expressway to Your Heart" in 1967) and later renamed the Poor. In 1968, he was a founding member of Poco, but left the band prior to the release of its debut album, joining the Stone Canyon Band, the backup group for Rick Nelson. Singer/guitarist/banjoist/mandolinist Bernie Leadon (born in Minneapolis, MN, on July 19, 1947) arrived in L.A. in 1967 as a member of Hearts and Flowers before joining Dillard and Clark and then the Flying Burrito Brothers. Singer/drummer Don Henley (born in Gilmer, TX, on July 22, 1947) moved to L.A. in June 1970 with his band Shiloh, which made one self-titled album for Amos Records before breaking up. Glenn Frey (born in Detroit, MI, on November 6, 1948) performed in his hometown and served as a backup musician to Bob Seger before moving to L.A. in the summer of 1968. He formed the duo Longbranch Pennywhistle with J.D. Souther, and they signed to Amos Records, which released their self-titled album in 1969.

In the spring of 1971, Frey and Henley were hired to play in Linda Ronstadt's backup band. Meisner and Leadon also played backup to Ronstadt during her summer tour, though the four only did one gig together, at Disneyland in July. They did, however, all appear on Ronstadt's next album, Linda Ronstadt, released in early 1972. In September 1971, Frey, Henley, Leadon, and Meisner signed with manager David Geffen, agreeing to record for his soon-to-be-launched label, Asylum Records; soon after, they adopted the name the Eagles. In February 1972, they flew to England and spent two weeks recording their debut album, Eagles, with producer Glyn Johns. It was released in June, reaching the Top 20 and going gold in a little over a year and a half, following the release of two Top Ten hits, "Take It Easy" and "Witchy Woman," and one Top 20 hit, "Peaceful Easy Feeling."

The Eagles toured as an opening act throughout 1972 and into early 1973, when they returned to England and Glyn Johns to record their second LP, Desperado, a concept album about outlaws. Released in April 1973, it reached the Top 40 and went gold in a little less than a year and a half, spawning the Top 40 single "Tequila Sunrise." The title track, though never released as a single, became one of the band's better-known songs and was included on its first hits collection.

After touring to support Desperado, the Eagles again convened a recording session with Glyn Johns for their third album. But their desire to make harder rock music clashed with Johns' sense of them as a country-rock band, and they split from the producer after recording two tracks, "You Never Cry Like a Lover" and "The Best of My Love." After an early 1974 tour opened by singer/guitarist Joe Walsh, they hired Walsh's producer, Bill Szymczyk, who handled the rest of On the Border. Szymczyk brought in a session guitarist, Don Felder (born in Gainesville, FL, on September 21, 1947), an old friend of Bernie Leadon's who so impressed the rest of the band that he was recruited to join the group. On the Border was released in March 1974. It went gold and reached the Top Ten in June, the Eagles' fastest selling album yet. The first single, "Already Gone," reached the Top 20 the same month. But the most successful song on the LP, the one that broke them through to a much larger audience, was "The Best of My Love," released as a single in November. It hit number one on the easy listening charts in February 1975 and topped the pop charts a month later.

The Eagles' fourth album, One of These Nights, was an out-of-the-box smash. Released in June 1975, it went gold the same month and hit number one in July. It featured three singles that hit the Top Five: the chart-topping title song, "Lyin' Eyes," and "Take It to the Limit." "Lyin' Eyes" won the 1975 Grammy Award for Best Pop Vocal Performance by a Duo, Group, or Chorus, and the Eagles also earned Grammy nominations for Album of the Year (One of These Nights) and Record of the Year ("Lyin' Eyes"). The group went on a headlining world tour, beginning with the U.S. and Europe. But on December 20, 1975, it was announced that Bernie Leadon had quit the band. Joe Walsh (born in Wichita, KS, on November 20, 1947) was brought in as his replacement. He immediately joined the tour, which continued to the Far East in early 1976.

The Eagles' extensive touring kept them out of the studio, and with no immediate plans for a new album, they agreed to the release of a compilation, Eagles: Their Greatest Hits 1971-1975, in February 1976. The first album certified platinum for sales of one million copies, it topped the charts and became a phenomenal success, eventually selling upwards of 25,000,000 copies and dueling with Michael Jackson's Thriller for the title of the best-selling album of all time in the U.S.

It took the Eagles 18 months to follow One of These Nights with their fifth album, Hotel California. Released in December 1976, it was certified platinum in one week, hit number one in January 1977, and eventually sold over 10,000,000 copies. The singles "New Kid in Town" and "Hotel California" hit number one, and "Life in the Fast Lane" made the Top 20. "Hotel California" won the 1977 Grammy for Record of the Year and was nominated for Song of the Year; the album was nominated for Album of the Year and for Best Pop Vocal Performance by a Duo, Group, or Chorus. The Eagles embarked on a world tour in March 1977 that began with a month in the U.S., followed by a month in Europe and the Far East, then returned to the U.S. in May for stadium dates. At the end of the tour in September, Randy Meisner left the band; he was replaced by Timothy B. Schmit (born in Sacramento, CA, November 20, 1947), formerly of Poco, in which he also had replaced Meisner.

The Eagles began working on a new album in March 1978 and took nearly a year and a half to complete it. The Long Run was released in September 1979. It hit number one and was certified platinum after four months, eventually earning multi-platinum certifications. "Heartache Tonight," its lead-off single, hit number one, and "I Can't Tell You Why" and "The Long Run" became Top Ten hits. "Heartache Tonight" won the 1979 Grammy for Best Rock Performance by a Duo or Group with Vocal. The Eagles toured the U.S. in 1980, and at a week-long series of shows at the Santa Monica Civic Auditorium, they recorded Eagles Live. (Also included were some tracks recorded in 1976.) Released in November 1980, the double-LP (since reissued as a single CD) reached the Top Five and went multi-platinum, with the single "Seven Bridges Road" reaching the Top 40.

The Eagles were inactive after the end of their 1980 tour, but their breakup was not officially announced until May 1982. All five released solo recordings. (Walsh, of course, maintained a solo career before, during, and after the Eagles.) During the rest of the 1980s, the bandmembers received several lucrative offers to reunite, but they declined. In 1990, Frey and Henley began writing together again, and they performed along with Schmit and Walsh at benefit concerts that spring. A full-scale reunion was rumored, but did not take place. Four years later, however, the Eagles did reunite. In the spring of 1994, they taped an MTV concert special and then launched a tour that ended up running through August 1996. The MTV show aired in October, followed in November by an audio version of it, the album Hell Freezes Over, which topped the charts and became a multi-million seller, spawning the Top 40 pop hit "Get Over It" and the number one adult contemporary hit "Love Will Keep Us Alive."

The Eagles next appeared together in January 1998 for their induction into the Rock and Roll Hall of Fame, when the five present members performed alongside past members Leadon and Meisner. On December 31, 1999, they played a millennium concert at the Staples Center in Los Angeles that was recorded and included on the box-set retrospective Selected Works 1972-1999 in November 2000. ~ William Ruhlmann, All Music Guide!~~~~~~!~

today !~~为大家推荐此乐队的怀旧经典！！~“hotel californial"

Dire Straits emerged during the post-punk era of the late '70s, and while their sound was minimalistic and stripped down, they owed little to punk. If anything, the band was a direct outgrowth of the roots revivalism of pub rock, but where pub rock celebrated good times, Dire Straits were melancholy. Led by guitarist/vocalist Mark Knopfler, the group built their sound upon the laid-back blues-rock of J.J. Cale, but they also had jazz and country inflections, occasionally dipping into the epic song structures of progressive rock. The band's music was offset by Knopfler's lyrics, which approximated the winding, stream-of-conscious narratives of Bob Dylan. As their career progressed, Dire Straits became more refined and their new maturity happened to coincide with the rise of MTV and the compact disc. These two musical revolutions from the mid-'80s helped make Dire Straits' sixth album, Brothers in Arms, an international blockbuster. The band -- along with Eric Clapton, Phil Collins, and Steve Winwood -- become one of the leaders of a group of self-consciously mature veteran rock & rollers in the late '80s that designed their music to appeal to aging baby boomers. Despite the band's international success, they couldn't sustain their stardom, waiting a full six years to deliver a follow-up to Brothers in Arms, by which time their audience had shrunk significantly.

Knopfler (born August 12, 1949) was always the main force behind Dire Straits. The son of an architect, Knopfler studied English literature at Leeds University and worked briefly as a rock critic for the Yorkshire Evening Post while at college. He began teaching English after his graduation, leading a pub rock band called Brewer's Droop at night. By 1977, Mark was playing with his brother David (guitar) and his roommate John Illsley (bass). During the summer of 1977, the trio cut a demo with drummer Pick Withers. A London DJ named Charlie Gillett heard the demo and began playing "Sultans of Swing" on his BBC show Honky Tonkin'. Following a tour opening for Talking Heads, the band began recording their debut for Vertigo Records with producer Muff Winwood in early 1978. By the summer, they had signed with Warner in America, releasing their eponymous debut in the fall. Thanks to the Top Ten hit "Sultans of Swing," Dire Straits was a major success in both Britain and America, with the single and album climbing into the Top Ten on both sides of the Atlantic.

Dire Straits established Dire Straits as a major force on album-oriented radio in America, and their second album, Communique (1979), consolidated their audience, selling three million copies worldwide. As the group was recording its third album, Knopfler left the band to pursue a solo career; he was replaced by former Darling member Hal Lindes. Like its predecessor, Making Movies was a sizable hit in America and Britain, even though the band was criticized for musically treading water. Nevertheless, the record went gold on the strength of the radio and MTV hits "Romeo and Juliet" and "Skateaway." Dire Straits followed the album two years later with Love Over Gold, an album filled with long, experimental passages, plus the single "Private Investigations," which became a number two hit in the U.K. The album went gold in America and spent four weeks at number one in Britain. Shortly after the release of Love Over Gold, former Rockpile drummer Terry Williams replaced Withers.

During 1982, Knopfler began exploring musical avenues outside of Dire Straits, scoring the Bill Forsyth film Local Hero and playing on Van Morrison's Beautiful Vision. Apart from releasing the Twisting by the Pool EP early in 1983, Dire Straits were quiet for the majority of 1983 and 1984, as Knopfler produced Bob Dylan's Infidels, as well as Aztec Camera and Willy DeVille; he also wrote "Private Dancer for Tina Turner's comeback album. In the spring of 1984, the band released the double album Alchemy: Dire Straits Live and by the end of the year, they had begun recording their fifth studio album with their new keyboardist, Guy Fletcher. Released in the summer of 1985, Brothers in Arms was Dire Straits' breakthrough album, making the band international stars. Supported by the groundbreaking computer-animated video for "Money for Nothing," a song which mocked music videos, the album became a blockbuster, spending nine weeks at the top of the American charts and selling over nine million copies; in England, the album became the biggest-selling album of the '80s. "Walk of Life" and "So Far Away" kept Brothers in Arms in the charts through 1986, and Dire Straits played over 200 dates in support of the album. Once the tour was completed, Dire Straits went on hiatus for several years, as Knopfler produced records by Randy Newman and Joan Armatrading, scored films, toured with Eric Clapton, and recorded a duet album with Chet Atkins (Neck and Neck, 1990). In 1989, he formed the country-rock group Notting Hillbillies, whose sole album, Missing...Presumed Having a Good Time, became a British hit upon its spring 1990 release. During the extended time off, John Illsley recorded his second album; the first appeared in 1984.

In 1990, Knopfler reconvened Dire Straits, which now featured Illsley, Clark, Fletcher, and various session musicians. The band released On Every Street in the fall of 1991 to great anticipation. However, the album failed to meet expectations -- it only went platinum in America and it didn't crack the U.K. Top 40 -- and failed to generate a hit single. Similarly, the tour was a disappointment, with many tickets going unsold in both the U.S. and Europe. Once the tour was completed, the live album On the Night was released in the spring of 1993 and the band again went on hiatus. In 1996, Knopfler launched his solo career with Golden Heart. ~ Stephen Thomas Erlewine, All Music Guide!~~~~

today !~为大家献上他的！~“sultans of swing"希望大家会喜欢。

Metallica was easily the best, most influential heavy metal band of the '80s, responsible for bringing the music back to Earth. Instead of playing the usual rock star games of metal stars of the early '80s, the band looked and talked like they were from the street. Metallica expanded the limits of thrash, using speed and volume not for their own sake, but to enhance their intricately structured compositions. The release of 1983's Kill 'Em All marked the beginning of the legitimization of heavy metal's underground, bringing new complexity and depth to thrash metal. With each album, the band's playing and writing improved; James Hetfield developed a signature rhythm playing that matched his growl, while lead guitarist Kirk Hammett became one of the most copied guitarists in metal. Lars Ulrich's thunderous, yet complex, drumming clicked in perfectly with Cliff Burton's innovative bass playing. After releasing their masterpiece Master of Puppets in 1986, tragedy struck the band when their tour bus crashed while traveling in Sweden, killing Burton. When the band decided to continue, Jason Newsted was chosen to replace Burton; two years later, the band released the conceptually ambitious ...And Justice for All, which hit the Top Ten without any radio play and very little support from MTV. But Metallica completely crossed over into the mainstream with 1991's Metallica, which found the band trading in their long compositions for more concise song structures; it resulted in a number one album that sold over seven million copies in the U.S. alone. The band launched a long, long tour which kept them on the road for nearly two years. By the '90s, Metallica had changed the rules for all heavy metal bands; they were the leaders of the genre, respected not only by headbangers, but by mainstream record buyers and critics. No other heavy metal band has ever been able to pull off such a trick. However, the group lost some members of their core audience with their long-awaited follow-up to Metallica, 1996's Load. For Load, the band decided to move toward alternative rock in terms of image -- they cut their hair and had their picture taken by Anton Corbijn. Although the album was a hit upon its summer release -- entering the charts at number one and selling three million copies within two months -- certain members of their audience complained about the shift in image, as well as the group's decision to headline the sixth Lollapalooza. Re-Load, which combined new material with songs left off of the Load record, appeared in 1997; despite poor reviews, it sold at a typically brisk pace through the next year. Garage Inc., a double-disc collection of B-sides, rarities, and newly recorded covers, followed in 1998. In 1999, Metallica continued their flood of product with S&M, documenting a live concert with the San Francisco Symphony; it debuted at number two, reconfirming their immense popularity.

The band spent most of 2000 embroiled in controversy by spearheading a legal assault on Napster, a file-sharing service that allowed users to download music files from each other's computers. Aggressively targeting copyright infringement of their own material, the band notoriously had over 300,000 users kicked off the service, creating a widespread debate over the availability of digital music that raged for most of the year. In January 2001, bassist Jason Newsted announced his amicable departure from the band. Shortly after the band appeared at the ESPN awards in April of the same year, Hetfield, Hammett, and Ulrich entered the recording studio to begin work on their next album, with producer Bob Rock lined up to handle bass duties for the sessions (with rumors of former Ozzy Osbourne/Alice in Chains bassist Mike Inez being considered for the vacated position). In July, Metallica surprisingly dropped their lawsuit against Napster, perhaps sensing that their controversial stance did more bad than good to their "band of the people" image. In late summer 2001, the band's recording sessions (and all other band-related matters) were put on hold as Hetfield entered an undisclosed rehab facility for alcoholism and other addictions. He completed treatment and rejoined the band and they headed back into the studio in 2002 to record St. Anger, released in mid-2003. The recording of St. Anger was capped with the search for a permanent replacement for Newstead. After a long audition process, former Ozzy Osbourne/Suicidal Tendencies bass player Robert Trujillo was selected and joined Metallica for their 2003/2004 world tour. The growing pains the band experienced during the recording process of St. Anger were captured in the celebrated documentary Some Kind of Monster which saw theatrical release in 2004. ~ Stephen Thomas Erlewine & Greg Prato!!~~~~~~~~~~~~~~~

today !~~~为大家献上此乐队的  he unforgiven 希望大家可以用心去倾听这些MUSIC!~